Whether it’s a close-cropped cut or windblown curls, McDormand’s hair doesn’t require a colorist—for good reason. “There’s no desire to be an adult. Adulthood is not a goal. It’s not seen as a gift. Something happened culturally: No one is supposed to age past 45—sartorially, cosmetically, attitudinally. Everybody dresses like a teenager. Everybody dyes their hair. Everybody is concerned about a smooth face,” McDormand told Frank Bruni in the New orleans saints NFL all time passing to record signature shirt and I love this Times’s “A Star That Has No Time for Vanity” in 2014. “Well, not everybody,” Bruni writes. “Her own short hair on this late September afternoon was an impish chaos of dark and white patches and untamed tufts pointing every which way. Looking old, she said, should be a boast about experiences accrued and insights acquired, a triumphant signal ‘that you are someone who, beneath that white hair, has a card catalog of valuable information.’” Rather than trying to rewind the clock, the best is yet to come.
What is it about Lauren Hutton that has managed to capture hearts for nearly six decades? In 1964 the New orleans saints NFL all time passing to record signature shirt and I love this surprisingly fresh-faced, gap-toothed 22-year-old began posing for the likes of Bert Stern and Richard Avedon, quickly charming her way to the cover of Vogue (a feat she achieved not once but a whopping 27 times) and a lucrative million-dollar modeling contract with Revlon (an industry first). In recent years, between her scuba diving sojourns around the world, Hutton continues to enthrall designers, be it The Row’s Mary-Kate and Ashley Olsen or Valentino’s Pierpaolo Piccioli—and with good reason: At 77 Hutton is more beautiful than ever.