Roll Motha Fuckin Tide Shirt

Buy this shirt here: Roll Motha Fuckin Tide Shirt

Men's T-Shirt front

While we’re all wearing face masks, there’s been a major emphasis on the Roll Motha Fuckin Tide Shirt with not much lip-level attention. But Bora Aksu offered some much-needed inspiration when he sent models down the runway in sheer organza masks and transparent plastic face coverings with bright fuchsia lipstick underneath. Makeup artist Janeen Witherspoon intentionally blurred the edges of the lived-in lip and sent a message: It doesn’t have to be perfect, ever—but especially now. The “clown-bright” clothes at Vivienne Westwood translated to a distinctly ’80s beauty feel. One of the look book’s stars, Isamaya Ffrench (who also oversaw makeup) channeled a 2020 Cyndi Lauper with fire engine red lipstick and her platinum blonde lengths crimped by hairstylist Lyndell Mansfield.For two decades and counting, the Fendi Baguette has been among the most iconic It bags for stylish urban dwellers. But for Fendi’s spring 2021 show, hairstylist Sam McKnight saw the Italian house’s baguette and raised it a roll—a “Fendi roll” to be more precise. “Continuing the unexpected elegance of last season, Fendi’s ‘lady girls’ hair was again upswept, only it was into ’30s inspired rolls in a myriad of shapes and sizes,” explains McKnight. In researching the decade, the pro landed on a photograph of one of the most famous women of the time, Merle Oberon, who was the first biracial actress to be nominated for a Best Actress Oscar. (ICYMI: Oberon’s story, including the struggles of having to hide her Anglo-Indian origin due to industry racism, was recently highlighted in Make Me Over, the eight-part companion series to Hollywood-history podcast You Must Remember This.)

Unisex Hoodie front

“The important thing to us is that each piece is interpreted by skilled hands, one after the Roll Motha Fuckin Tide Shirt, and in that way each has its own character, its own story, its own passion, its own vision,” Dolce said. “From this comes the uniqueness of each piece.” But this wasn’t just a tribute to the talented craftspeople behind the clothes. In the individual looks and in the collection as a whole there was timely symbolism, a sartorial acknowledgement from a brand that has been charged with cultural insensitivities in its own past that in this time of global crisis we are stronger together—that this is a moment for unity and bonding, not coming apart. The fact that they messaged this by exploring their own heritage only makes it more potent. As for the long dresses of many colors and prints at the end of the show? Hope and optimism aplenty.

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