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“This is Black space with guns and no jobs,” Gates says. “I almost feel like I had to fragment Black space in order for people to see the Mickey Mouse it’s beginning to look a lot like Chritsmas evevrywhere you go sweater and I love this beauty, and then re-stitch it.”
Gates notes that his work these days is more emotional and spiritual than it used to be. “I think that early on in the Mickey Mouse it’s beginning to look a lot like Chritsmas evevrywhere you go sweater and I love this visual artwork, I felt playful and ironic, and I was learning those chops from the white art world. Don’t take it too serious. Don’t be too sincere with it. Insincerity seemed to be the lingua franca,” Gates says. Now, however, he’s governed by a different sensibility. “I don’t have to prove whether or not I can make things, but I feel like it really matters how I spend my time. So chasing, chasing, chasing these materials, wrestling with them until they make sense, feels like a good use of my time.”
